They Can't Take That Away from Me
High Fidelity WAV formatted master recording. Experience the music the way the artist meant it to sound. "They Can't Take That Away From Me" is a 1937 song (see 1937 in music) written by George Gershwin and Ira Gershwin and introduced by Fred Astaire in the 1937 film Shall We Dance. The song is performed by Astaire on the foggy deck of the ferry from New Jersey to Manhattan. It is sung to Ginger Rogers, who remains silent listening throughout. No dance sequence follows, which was unusual for the Astaire-Rogers numbers. Astaire and Rogers did dance to it later in their last movie The Barkleys of Broadway (1949) in which they played a married couple with marital issues. The song, in the context of Shall We Dance, notes some of the things that Peter (Astaire) will miss about Linda (Rogers). The lyrics include "the way you wear your hat, the way you sip your tea", and "the way you hold your knife, the way we danced till three." Each verse is followed by the line "no, no, they can't take that away from me." The basic meaning of the song is that even if the lovers part, though physically separated the memories cannot be forced from them. Thus it is a song of mixed joy and sadness. The verse references the song "The Song Is Ended (but the Melody Lingers On)" by Irving Berlin: Our romance won't end on a sorrowful note, though by tomorrow you're gone. The song is ended, but as the songwriter wrote, 'the melody lingers on.' They may take you from me, I'll miss your fond caress, but though they take you from me I'll still possess.... George Gershwin died two months after the film's release, and he was posthumously nominated for the Academy Award for Best Original Song at the 1937 Oscars. The song is featured in Kenneth Branagh's musical version of Shakespeare's Love's Labour's Lost (2000), in Stephen Herek's Mr. Holland's Opus (1995), and in Barry Levinson's Rain Man (1988). The melodic hardcore band Strung Out also sampled the song for the intro of "Analog", the opening track on their 2004 album Exile in Oblivion. Frank Sinatra recorded the song and made it one of his favorites in his- Songs for Young Lovers (1954 EP, 1962), and Sinatra and Swingin' Brass (1962) Bernard Jackson recreates the Frank Sinatra version of the song and delivers the swagger that originally was left only to Frank Sinatra to perform. In a twist of fate, Bernard Jackson has seemingly inherited the mantle for balladeers from old blues eyes and is proving to the world that this musical style is timeless when performed at this level.